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Kean (Clarendon French), by Jean-Paul Sartre
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This includes the text of the original Dumas play.
- Published on: 1973-06-07
- Original language: English
- Number of items: 2
- Binding: Paperback
- 280 pages
Language Notes
Text: English, French (translation)
Most helpful customer reviews
2 of 2 people found the following review helpful.
A shame it isn't better known
By Bruce Kendall
My first trip to England in the early 70's was the highpoint of my theater-going experiences. I was lucky enough to see Alec Guiness in "Voyage Round My Father," the Peter Brook production of "A Midsummer Night's Dream," and a young Ian McClellan playing the lead in "Kean." All were unforgettable, but this play still sticks in my mind as being among the negelected masterpieces of 20th century playwrighting. Sartre understood theater history and he understood role-playing, appearance vs. reality and all the other critical saws that are discussed in high-school English classes. Yet in this play these tired themes are perfectly expressed and therefor renewed and made infinitely interesting by the manner in which the playwright unfolds them. There is a gradual peeling away of pretense and bravado on the part of the protagonist (the play might as well be a monologue), and the audience comes to understand that behind all the masks, what Sartre finally wants to show us is humanity stripped of its skin. He exposes the viscera, the protruding bones, the raw psychic flesh that we are all heir to. Kean, by play's conclusion, has degenerated into a knd of erstwhile Truman Capote, having sacrificed his soul in the process of gaining notoriety. He also shares Capote's substance abuse weaknesses, though his alcoholism is merely a symptom of his inner malaise. Sartre is saying a great deal about art, about the effect of fame and about the human condition in this work. It is a play that should be revived every fifth year either on the West End or on Broadway, in my opinion. It is apparently hard to come by. I can't even swear that it reads as well as it plays (I've seen two productions, but haven't been able to find it in print myself). If you ever have the opportunity to see the play, by all means avail yourself of a rare theatrical treat.
1 of 1 people found the following review helpful.
Brilliant and seemingly forgotten...
By C. A. Romero
I, too, have only ever seen this produced, and never found it in print... but it's just brilliant. And FUNNY. How do you build a farce around the idea that "bad faith makes the world go 'round?" Well, Sartre manages it... I'll stop before this turns into an essay, and just recommend that anyone who has a chance to see this performed by a cast of any distinction at all should jump at it.
0 of 0 people found the following review helpful.
It is just hilariously funny and it actually makes you laugh out loud
By Ross Milne
On a recent trip to Christchurch for a wedding I had the luck to visit the new premises of Smiths Bookshop a historic store that had lost much of its inventory after the earthquakes of 2011.
I am always on the lookout for works by Sartre and came across a 1954 translation by Kitty Black of this work and for only $9.00.
Having just completed this I have found the work to be extremely engaging and I just keep going back to Act V especially the closing. It is just hilariously funny and it actually makes you laugh out loud. Sartre captures so much in this play, I would especially like to experience this acted out by a great actor. Just imagine George Clooney as Kean! Alas Robin Williams would have been also interesting. Who could do this, and who would play Anna Danby, for her lines at the end and Solomon are just so funny!
Read it!
It deserves 5 stars.
PS I had just spent the last few weeks/months reading the Roads to Freedom Trilogy and to read Kean was so refreshing. I have come to see there is a lot is Sartre's oeuvre that is still highly relevant today.
Also read his screenplay In the Mesh though this is a different genre
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