Jumat, 30 April 2010

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Introduction to Game Design, Prototyping, and Development: From Concept to Playable Game with Unity and C#, by Jeremy Gibson Bond

Learn Game Design, Prototyping, and Programming with Today’s Leading Tools: Unity™ and C#

 

Award-winning game designer and professor Jeremy Gibson has spent the last decade teaching game design and working as an independent game developer. Over the years, his most successful students have always been those who effectively combined game design theory, concrete rapid-prototyping practices, and programming skills.

 

Introduction to Game Design, Prototyping, and Development is the first time that all three of these disciplines have been brought together into a single book. It is a distillation of everything that Gibson has learned teaching hundreds of game designers and developers in his years at the #1 university games program in North America. It fully integrates the disciplines of game design and computer programming and helps you master the crucial practice of iterative prototyping using Unity. As the top game engine for cross-platform game development, Unity allows you to write a game once and deliver it to everything from Windows, OS X, and Linux applications to webpages and all of the most popular mobile platforms.

 

If you want to develop games, you need strong experience with modern best practices and professional tools. There’s no substitute. There’s no shortcut. But you can get what you need in this book.

 

COVERAGE INCLUDES

  • In-depth tutorials for eight different game prototypes
  • Developing new game design concepts
  • Moving quickly from design concepts to working digital prototypes
  • Improving your designs through rapid iteration
  • Playtesting your games and interpreting the feedback that you receive
  • Tuning games to get the right “game balance” and “game feel”
  • Developing with Unity, today’s best engine for independent game development
  • Learning C# the right way
  • Using Agile and Scrum to efficiently organize your game design and development process
  • Debugging your game code
  • Getting into the highly competitive, fast-changing game industry

  • Sales Rank: #39189 in Books
  • Published on: 2014-07-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.40" w x 7.00" l, .0 pounds
  • Binding: Paperback
  • 944 pages

Review

Praise for Introduction to Game Design, Prototyping, and Development

 

“Introduction to Game Design, Prototyping, and Development combines a solid grounding in evolving game design theory with a wealth of detailed examples of prototypes for digital games. Together these provide an excellent introduction to game design and development that culminates in making working games with Unity. This book will be useful for both introductory courses and as a reference for expert designers. I will be using this book in my game design classes, and it will be among those few to which I often refer.”

–Michael Sellers

Professor of Practice in Game Design, Indiana University, former Creative Director at Rumble Entertainment, and General Manager at Kabam

 

“Prototyping and play-testing are often the most misunderstood and/or underutilized steps in the game design and development process. Iterative cycles of testing and refining are key to the early stages of making a good game. Novices will often believe that they need to know everything about a language or build every asset of the game before they can really get started. Gibson’s new book prepares readers to go ahead and dive in to the actual design and prototyping process right away; providing the basics of process and technology with excellent “starter kits” for different types of games to jumpstart their entry into the practice.”

–Stephen Jacobs

Associate Director, RIT Center for Media, Art, Games, Interaction, and Creativity (MAGIC) and Professor, School of Interactive Games and Media

 

“Jeremy Gibson’s Introduction to Game Design, Prototyping, and Development deftly combines the necessary philosophical and practical concepts for anyone looking to become a Game Designer. This book will take you on a journey from high-level design theories, through game development concepts and programming foundations in order to make your own playable video games. Jeremy uses his years of experience as a professor to teach the reader how to think with vital game design mindsets so that you can create a game with all the right tools at hand. A must-read for someone who wants to dive right into making their first game and a great refresher for industry veterans.”

–Michelle Pun

Senior Game Designer, Zynga

About the Author

Jeremy Gibson is a lecturer teaching computer game design for the Electrical Engineering and Computer Science department at the University of Michigan Ann Arbor and is the founder of ExNinja Interactive, LLC. From 2009 to 2013, he was an Assistant Professor teaching game design and protyping for the Interactive Media and Games Division of the University of Southern California’s School of Cinematic Arts, which was the number one game design school in North America throughout his tenure there. Jeremy serves the IndieCade independent game festival as the Chair for Education and Advancement, where he is responsible for the IndieXchange and GameU conference tracks, and he has spoken at the Game Developers Conference every year since 2009.


Jeremy earned a Master of Entertainment Technology degree from Carnegie Mellon University’s Entertainment Technology Center in 2007 and a Bachelor of Science degree in Radio, Television, and Film from the University of Texas at Austin in 1999. Jeremy has worked as a programmer and prototyper for companies such as Human Code and frog design, has taught classes for Great Northern Way Campus (in Vancouver, BC), Texas State University, the Art Institute of Pittsburgh, Austin Community College, and the University of Texas at Austin, and has worked for Walt Disney Imagineering, Maxis, and Electronic Arts/Pogo.com, among others. While in graduate school, his team created the game Skyrates, which won the Silver Gleemax Award at the 2008 Independent Games Festival. Jeremy also apparently has the distinction of being the first person to ever teach game design in Costa Rica.

Most helpful customer reviews

53 of 58 people found the following review helpful.
Good, but not for a complete novice
By TooManyHobbies
If you are brand new to programming, this might not be the best book to use as an introduction to the trifecta of Unity, programming, and game design. I would consider it more of an advanced beginner to intermediate level book. If you already know a little programming or if you have read one of the other Unity by Example books, then is a great second step on your path to becoming a game developer.

I found Part One of the book, Game Design and Paper Prototyping, to be the most difficult of the three sections. It reads like a college text book with lots of theory and philosophical discussions. Part One begins with a lengthy discussion of what a "game" actually is, discussing the conflicting definitions presented by several people. Next comes a discussion on Game Analysis Frameworks. Mr. Gibson discusses three Frameworks developed by other individuals, and then presents his own Framework. He compares and contrasts his new framework to its predecessors, and explains how they are different and alike. Heavy stuff. Honestly I only made it through Chapter 4 before I put Part One on hold, and moved on to Part Two. I will get back to Part One day, I promise.

Part Two begins with more definitions, a summary about the advantages of using Unity and C#, and a brief introduction to the C# programming language, but you quickly move on to the Unity installation and running Unity's demo game: Angry Bots. Next comes a very, very brief (1/2 page) explanation of Unity's various windows. Your first Unity program is the standard "Hello World!", but then you get to "Unity-fy" it by adding some falling cubes. Snazzy! The rest of the Part Two - Chapters 19-27 - include hard-core lessons/lectures in various computer programming topics: variables, Vector3s, Quaternion, boolean operations, conditionals, loops, lists, arrays, functions, object-oriented classes. My favorite chapter was the one on Debugging. You need to learn to love debugging if you are going to be a programmer.

Part Three (page 419) starts the fun stuff: building games using Unity. The first game is Apple Picker, and I found it liberating when Mr. Gibson talks about using "programmer art" which is just a placeholder for the "real" art that will be incorporated later. He stresses that you don't need fantastic art to get your game up and running. I know it is common sense, but it was nice to hear those words from an expert. My new mantra is, "Don't worry about the art, just start coding." As for the actual code instructions, they are clear and concise, but they are not what I would call the step-by-step hand-holding variety. How to do something is fully explained once, and after that it is assumed that you will remember the steps. If you don't remember you are directed to the index so you can look up the instructions. If you are new to programming AND Unity this method of instruction might get a little frustrating. The examples/prototypes in this book also have a level of code complexity which is much greater than in other absolute beginner Unity books. You will learn a lot more fancy coding tricks, and not so obvious ways to accomplish a task. Again, this may be intimidating if you have never coded before.

So in summary if you have never opened a programming book before, it might be better to start with a book like Unity by Example or Unity in 24 Hours and save this one till you are a little more comfortable with navigating Unity. If you have used Unity before or if you have programmed in the past, this book is a great place to start.

26 of 27 people found the following review helpful.
A clear introduction to creating games with Unity and C#
By TimFromPerth
Part 1 of this book (game-design theory) is a clear and illuminating overview of what is obviously a big topic. It makes clear that there's a lot more preparation required when designing a game than many designers realise.

Part 2 introduces C#. If you've programmed before, you can skim most of it. Chapter 18 ("Hello World") is a must-read, though, as it introduces Unity and demonstrates how to create a project and add elements to it. (Not having used Unity before, I was shocked that I could create a particle storm with only two-lines of code.)

Part 3 walks the reader through creating eight games of increasing complexity.

I recommend this book to you if you'd like to learn how to create well designed games using Unity and C#.

20 of 21 people found the following review helpful.
... that is) i found a few books that seemed like they could very well get the job done
By steven
Started reading this book on 8/7/2014

When i was looking for a book that covered Unity programming (C# that is) i found a few books that seemed like they could very well get the job done. This book is brand new and full of good research. It does not teach you how to program until about page 250. The amount of text on each page is enormous, full of information. Im on chapter 4 already and i feel like before i get to the programming side of this book i will have a better understanding of what i will even be needing to program. There is 8 games that you program near the last part of the book after a thorough intro to C# script in unity. The logic that he programs into the games is broad and clever enough to get you on your feet, and there are many tools and tricks that follow.

In conclusion: This book goes deep into game design and getting your ideas into code.
I have a large library of books covering animation, programming, art, game design.... and this book seems like one i will be happy to finish.
Cheers! 5 out of 5 for how much research is in this book alone Plus how clear he talks in his text.

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Senin, 26 April 2010

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  • Sales Rank: #13704074 in Books
  • Published on: 2008-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .12" w x 5.98" l, .20 pounds
  • Binding: Paperback
  • 52 pages

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Jumat, 23 April 2010

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  • Sales Rank: #1558223 in Books
  • Published on: 2015-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.10" w x 5.60" l, .0 pounds
  • Binding: Hardcover
  • 220 pages

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  • Binding: Paperback

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Kamis, 22 April 2010

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The Ethics of Suicide: Historical SourcesFrom Oxford University Press

Is suicide wrong, profoundly morally wrong? Almost always wrong, but excusable in a few cases? Sometimes morally permissible? Imprudent, but not wrong? Is it sick, a matter of mental illness? Is it a private matter or a largely social one? Could it sometimes be right, or a "noble duty," or even a fundamental human right? Whether it is called "suicide" or not, what role may a person play in the end of his or her own life?

This collection of primary sources--the principal texts of ethical interest from major writers in western and nonwestern cultures, from the principal religious traditions, and from oral cultures where observer reports of traditional practices are available, spanning Europe, Asia, the Middle East, Africa, Oceania, the Arctic, and North and South America--facilitates exploration of many controversial practical issues: physician-assisted suicide or aid-in-dying; suicide in social or political protest; self-sacrifice and martyrdom; suicides of honor or loyalty; religious and ritual practices that lead to death, including sati or widow-burning, hara-kiri, and sallekhana, or fasting unto death; and suicide bombings, kamikaze missions, jihad, and other tactical and military suicides.

This collection has no interest in taking sides in controversies about the ethics of suicide; rather, rather, it serves to expand the character of these debates, by showing them to be multi-dimensional, a complex and vital part of human ethical thought.

  • Sales Rank: #136908 in Books
  • Published on: 2015-10-09
  • Released on: 2015-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 2.10" w x 9.90" l, .0 pounds
  • Binding: Paperback
  • 752 pages

About the Author

Margaret Pabst Battin is Distinguished Professor of Philosophy and Adjunct Professor of Internal Medicine, Division of Medical Ethics and Humanities, at the University of Utah.

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Selasa, 20 April 2010

[S772.Ebook] Ebook We Are in a Book! (An Elephant and Piggie Book), by Mo Willems

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We Are in a Book! (An Elephant and Piggie Book), by Mo Willems

Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can.

Gerald and Piggie are best friends.
In We Are in a Book! Gerald and Piggie discover the joy of being read. But what will happen when the book ends?

Using vocabulary perfect for beginning readers (and vetted by an early-learning specialist), Mo Willems has crafted a mind-bending story that is even more interactive than previous Elephant & Piggie adventures. Fans of the Geisel Award-winning duo won't be able to put this book down--literally!

  • Sales Rank: #752 in Books
  • Brand: Hyperion
  • Published on: 2010-09-14
  • Released on: 2010-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .50" w x 7.00" l, .67 pounds
  • Binding: Hardcover
  • 64 pages
Features
  • Used Book in Good Condition

From School Library Journal
PreS-Gr 2–Make room for another satisfying episode in the escapades of lovable Elephant (aka Gerald) and Piggie. This time the best buddies star in a witty metafictional romp replete with visual gags, such as Piggie hanging from a speech bubble and Elephant blocking the author's name on the title page. Willems revs up the fun when the friends realize that someone is watching. Who can it be? Cautious Gerald asks, “A monster?” while savvy Piggie answers, “No. It is...a reader! A reader is reading us!” Mirth ensues as the delightful creatures comprehend a newfound power: “If the reader reads out loud,” they can make the reader say words. Piggie decides upon “Banana” and Gerald's sidesplitting laughter proves contagious for all involved. But, when Gerald learns that books end, with Piggie demonstrating by turning the bottom corner of the page to see how many are left, he shouts, “This book is going too fast! I have more to give!” Not to worry–the ever-resourceful Piggie has Gerald ask, “Will you please read us again?” Beginning readers will grant Gerald's request, while grown-ups will marvel at Willems's extraordinary ability to animate his personality-packed gray and pink characters with the widest range of emotions, all drawn with the simplest of line.–Alicia Eames, New York City Public Schoolsα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
In their latest pairing, Elephant and Piggie are finally ready to get meta. Realizing that their trademark blank background is, in fact, a page, the duo has a blast convincing the reader to say funny things out loud—until Piggie mentions that the book will soon end. Cue Elephant’s existential crisis: “WHEN WILL THE BOOK END!?!” From there on, it’s a cute—but never too heady—play on the physical object that the reader is holding, including a bit where Piggie appears to flip the pages forward to get a sense of how much time they have left. Willems’ satisfying (if self-serving) solution? Read it again! Preschool-Grade 2. --Daniel Kraus

Review
Stalwart friends Piggie and Gerald the elephant push the metafictive envelope in a big way when they realize that "someone is looking at us." Is it a monster? worries Gerald. "No," replies the squinting Piggie. "It is... / a reader! / A reader is reading us!" How? wonders Gerald. Piggie drapes herself on a word bubble to demonstrate: "We are in a book!" "THAT IS SO COOL!" Joy leads to a little bit of clever practical joking-Piggie figures out how to make the readers say "banana" out loud, and hilarity ensues-which gives way to existential angst: "The book ends?!" exclaims an appalled Gerald. Emergent readers just beginning to grapple one-on-one with the rules of the printed codex will find the friends' antics both funny and provocative: Just who is in control here, anyway? As always, Willems displays his customary control of both body language and pacing even as he challenges his readers to engage with his characters and the physicality of their book. The friends' solution to the book's imminent end? "Hello. Will you please read us again?" You bet. Kirkus"

After several rousing adventures, it's probably about time that Elephant (aka Gerald) and Piggie start questioning the facts of their existence-namely, that they are characters in a book, and that books end. Not to worry-they don't get all the way to the crisis-y part of such a postmodern existential dilemma; instead, being Elephant and Piggie, they explore the mystery and wonder of having an audience. Though Gerald is freaked when he realizes someone is looking at them, Piggie fearlessly approaches the book's horizon to see who it is; she discovers not only that it's a reader but also that she and Gerald can make the reader say whatever they want just by putting the text in a speech bubble. Piggie's making a reader say "banana" is all that's needed to send the friends into paroxysms of gasping laughter, until Piggie points out that Gerald may want a turn before the book ends. Gerald once again panics, and Piggie once again gathers information and formulates an idea that will save them. As always, Willems' finger is firmly on the pulse of today's kids and their culture, as he plays with the joyful, performative aspects of seeking and sustaining attention, with Gerald particularly antic in his exuberant reactions to each new development. It's a good thing that Willems chooses to place his characters on flat white backgrounds and limit the color palette to their signal pink and grey, linking them to more muted shades of those colors in their speech bubbles, since the physical comedy of their actions would be too chaotic otherwise. Gerald and piggy are so delirious with the possibility of sly manipulation of their readers, not to mention so open with their need (Gerald's embodied hysteria over finding out that the book will end closes with the small fonted, droopy-postured plea "I just want to be read" that even the smallest culture-mulchers will know how to intone). That the readers will be happy to play along-heck, who ever needed a fourth wall anyway? BCCB"

Make room for another satisfying episode in the escapades of lovable Elephant (aka Gerald) and Piggie. This time the best buddies star in a witty metafictional romp replete with visual gags, such as Piggie hanging from a speech bubble and Elephant blocking the author's name on the title page. Willems revs up the fun when the friends realize that someone is watching. Who can it be? Cautious Gerald asks, "A monster?" while savvy Piggie answers, "No. It is...a reader! A reader is reading us!" Mirth ensues as the delightful creatures comprehend a newfound power: "If the reader reads out loud," they can make the reader say words. Piggie decides upon "Banana" and Gerald's sidesplitting laughter proves contagious for all involved. But, when Gerald learns that books end, with Piggie demonstrating by turning the bottom corner of the page to see how many are left, he shouts, "This book is going too fast! I have more to give!" Not to worry the ever-resourceful Piggie has Gerald ask, "Will you please read us again?" Beginning readers will grant Gerald's request, while grown-ups will marvel at Willems's extraordinary ability to animate his personality-packed gray and pink characters with the widest range of emotions, all drawn with the simplest of line. SLJ"

In their latest pairing, Elephant and Piggie are finally ready to get meta. Realizing that their trademark blank background is, in fact, a page, the duo has a blast convincing the reader to say funny things out loud-until Piggie mentions that the book will soon end. Cue Elephant's existential crisis: "WHEN WILL THE BOOK END!?!" From there on, it's a cute-but never too heady-play on the physical object that the reader is holding, including a bit where Piggie appears to flip the pages forward to get a sense of how much time they have left. Willems' satisfying (if self-serving) solution? Read it again! Booklist"

Most helpful customer reviews

67 of 68 people found the following review helpful.
Pretty Much Perfect
By John X Crimmins
I brought this book home from the library last week, as I do with everything that Mo Willems writes. My oldest, a 1st grader, read the book aloud and laughed repeatedly at the silliness. Admittedly, I got to hear "Banana!" a lot more than I really wanted that night, but that's the price you pay for quality fiction.

My youngest, a toddler, curled up with the book on the floor and leafed through it again and again, giggling hysterically at the pictures. He particularly loves Piggie leaning forward to stare at the reader, but the illustrations, so clear and expressive and silly, are all wonderful.

And me, I'm really looking forward to using the book in a storytime next week. Interactive books like this, like There Are Cats in This Book or The Monster at the End of this Book, are perfect selections to read to groups of preschoolers. They love being able to become part of the story.

40 of 42 people found the following review helpful.
Genius fun
By Diana
We are big fans of Gerald and Piggie, and of Mo Willems in general, and this is a pitch perfect book for both kids and adults. With what is probably a nod to Grover in the immortal classic The Monster at the End of this Book (Sesame Street) (Big Little Golden Book), Gerald and Piggie practically jump from the page to engage the reader. I read this book during a (child free) stroll in the bookstore, and basically made a fool of myself laughing uncontrollably, but the book is such a delightful joy that I couldn't have cared less. Don't hesitate, Readers - this is a classic for your permanent library. Thanks, Mo!

0 of 0 people found the following review helpful.
Five Stars
By Matthew
Great kids book to help learn to read

See all 403 customer reviews...

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Senin, 12 April 2010

[G315.Ebook] Download Ebook The IC Chef Cookbook: More Than 260 Bladder Friendly Recipes Shared , by Patients Just Like YouFrom Interstitial Cystitis Network

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The IC Chef Cookbook: More Than 260 Bladder Friendly Recipes Shared , by Patients Just Like YouFrom Interstitial Cystitis Network

The IC Chef Cookbook features more than 260 recipes shared by IC patients over the past ten years in the Interstitial Cystitis Network's on-line cookbook. Julie Beyer RD, author of the Confident Choices: A Cookbook for IC and OAB, contributed the foreward to the book. She wrote "For the past twenty years, Jill Osborne and the thousands of members of the Interstitial Cystitis Network Forum have shared their journeys with interstitial cystitis, including the recipes you find in this book. This cookbook is a celebration of that wisdom and, more, importantly the empowerment that patients experience when collaborating with each other. If you think there are no hot beverages that you can enjoy, you'll be intrigued by the more than 20 recipes for hot drinks included in the cookbook. You'll also find recipes for frozen shakes and creamy drinks, sweet teas, smoothies and veggie drinks. If you're sick of oatmeal for breakfast, you'll find some fabulous new recipes perfect for a family brunch. From burgers to pizza, pasta to vegetarian ideas, there are plenty of options that should help interstitial cystitis, bladder pain syndrome and chronic prostatitis patients enjoy food again. The book is more than a cookbook. It's a primer on the IC diet with easy to read sections explaining why food can irritate the bladder, the most irritating foods to avoid. It includes a full list of the 2012 IC Food List along with articles on Fighting Constipation, Fatigue Fighting Foods, Foods and Chemicals and more. We hope that it gives reader some great new ideas and fresh flavors to play with. The book is appropriate for patients struggling with bladder and prostate disorders as well as acid sensitivity.

  • Sales Rank: #431606 in Books
  • Published on: 2015
  • Binding: Spiral-bound
  • 104 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
Help for IC
By Mary Mead
Not only did the book provide a variety of recipes, it gave a complete list of foods you can eat and what to avoid. This is a good reference for someone first diagnosed with IC.

3 of 3 people found the following review helpful.
Great for IC
By somethingonthewing
There are some great IC recipes in this book. The drinks are especially interesting and a nice change over just water all the time.

1 of 1 people found the following review helpful.
Informative, and pretty good recipes. Not my favorite cookbook, though.
By Jordan
This book is pretty good. It has a lot of helpful information in it, and some of the recipes are extremely helpful. I particularly liked the Nomato recipes, and I use them often. I would exercise caution with some of these recipes. Maybe my IC is extremely sensitive, but there are some items that are called for that I could never tolerate in a million years, like root beer or other processed, preservative laden foods. I have to cook completely from scratch, so I suppose I expected more recipes like that.

See all 9 customer reviews...

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Elemental Magic, Volume II: The Technique of Special Effects Animation (Animation Masters Title)

Elemental Magic, Volume II: The Technique of Special Effects Animation (Animation Masters Title)



Elemental Magic, Volume II: The Technique of Special Effects Animation (Animation Masters Title)

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Elemental Magic, Volume II: The Technique of Special Effects Animation (Animation Masters Title)

  • Published on: 1900
  • Binding: Paperback

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