Download PDF Short History of the Movies, A , Abridged Edition (11th Edition), by Gerald Mast, Bruce Kawin
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Short History of the Movies, A , Abridged Edition (11th Edition), by Gerald Mast, Bruce Kawin
Download PDF Short History of the Movies, A , Abridged Edition (11th Edition), by Gerald Mast, Bruce Kawin
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This is the essential core of Mast and Kawin’s classic in a streamlined volume: the most accurate, carefully updated account of cinema today in a clear and lively book.
Building on Mast’s astute and lively history of cinema, Kawin has refined and updated the fascinating story of cinema’s evolution from its earliest beginnings to the digital age. Probing deeper than most movie books, he takes us into the studio vaults, corrects the record, discloses what goes on inside the industry, clarifies the mysteries of movie technology, and offers a precise, thoroughly researched account. Kawin's analysis is witty and engaging, rich in instructive insights and entertaining illustrations of the art, history, technology, business, and fun of film. Now the essentials of Mast and Kawin’s classic book are available in a compact version, judiciously streamlined at an even trimmer price.
- Sales Rank: #50104 in Books
- Published on: 2011-10-03
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.00" w x 7.40" l, 1.76 pounds
- Binding: Paperback
- 480 pages
From the Back Cover
The eleventh edition ofA Short History of the Moviescontinues its long-standing tradition of scrupulously accurate details, up-to-date information, and jargon-free writing style that has made it the most widely adopted film history textbook.
This edition offers students a panoramic overview of the worldwide development of film. From the early experiments with motion photography, through the American studio years of the 1930's and 1940's, from Neorealism and the New Wave, up to the present age of digital cinema,A Short History of Filmprovides a comprehensive presentation of the history of cinema. This eleventh edition has been revised and updated to include current scholarship, recent industry developments, and new films and filmmakers.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Extremely valuable
By MrWhooHoo
My accidental encounter with an earlier edition of this book was the catalyst for my taking up film studies. The book is a clear, well written and systematically organized history of movies. It has a comprehensive and up to date bibliography and filmography. Chapters are chronological in sequence, but are organized around a particular theme. The authors introduce major influences in the cinema (whether directors, 'schools', actors or events), identify principal directors and films, and analyse major issues and advances. It is an excellent introduction to the history of movies and great jumping off point for further, more specialised study. It is refreshingly free from post-modernist jargon and abstractions. If you want a comprehensive introduction which is also a good read, I recommend this book most highly.
6 of 6 people found the following review helpful.
Great book
By Alison
This book was required for my History of Film class but I think I'll be keeping it for myself instead of returning it. It's full of short, concise descriptions of some of the important points in film starting at the beginning. I've referenced it in every paper I've written for the class, must buy.
4 of 4 people found the following review helpful.
Long time Classic text retains Credibility
By stuart lenig
Though old, (now in it's 11th edition) Mast and Kawin's text remains an excellent introduction to the study of film history. Gerald Mast began the text in the seventies when the academic study of film history and style was in its infancy. The text was taken over by Mast's student Bruce Kawin when the older professor passed on. The text has lost none of its authority and clarity over time. The authors carefully staked out that their work would cover American, notable, ideologically important, technologically notable, business-manifested works of principally the Hollywood Studio system with a nod towards the influence of auteur theory (or author or master creator theory, made popular by notable American critic Andrew Sarris in the the seventies, the time of this text's genesis). Admittedly there are newer approaches than historicism, but Mast and Kawin have done such a thorough comprehensive and even-handed job of explaining the creation, evolution, development and expansion of the American film aesthetic, market, business, and technological innovation, that there is little that anyone could add to their clear and multi-faceted perspective. Again, the the film has had to go back in time and reinsert notable marginalized figures (Dorothy Arzner, Ida Lupino, Oscar Micheaux, Watson and Weber) but it is remarkable how comprehensive, strong, and varied the authors coverage remains. The book does not scrimp on citing influences and French, German, Russian, and Asian films receive significant chapters and mention for their influence on the creation and reshaping of American forms (notably the contribution of German ex-patriots working in Hollywood after the rise of Hitler to create the American horror film industry). Overall, still the ur-text of American film history and a great understanding of the field can be gained by reading the whole story. Lots of example films to visit in each chapter ending a clear glossary of film technology terms add to the book's value. Very readable, knowledge packed, and comprehensive.
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